2. Lena Dunham's Remembers Nora Ephron. I promise, I am not a huge Lena Dunham fan (even though I already recommended Tiny Furniture on this blog), but I heard about her piece in the New Yorker about Nora Ephron on the Slate Culture Gabfest. I read it and found it to be very moving and again confirmed my suspicions about Dunham's amazing writing talent. I have never been a huge Ephron fan but was saddened and surprised to hear about her death. Dunham wrote a beautiful piece about getting to know Ephron and the influence she had on her life, both artistically and personally. It was a perfect tribute to Ms. Ephron and shows the solidarity and mentorship of female artists in Hollywood: truly inspiring.
3. Battleship Pretension podcast: The truth is, this is something I love every week. When I worked in an office, I listened to about 10 podcasts weekly; now I listen to about two or three. Battleship Pretension is one I never even considered anything but essential listening. David Bax and Tyler Smith have the best chemistry in podcastland and I love the topics they cover each week. They aren't a movie review show, instead they are a topic based movie podcast (some of the most recent episodes have covered Movie Presidents, Comedy as Coherence and the composer Carter Burwell). I have learned about so many great movies from them, they are super funny and make me feel like I have two great friends to discuss movies with (ask my husband, I often say to him, "Baxy said this was good, you would love it!").
4. Marina Abramovic: The Artist is Present: Every Monday HBO shows a new documentary and I recently caught up with this one directed by Matthew Akers. I didn't know very much about Ms. Abramovic, I had read a few articles about her in Vogue and the New York Times and remember her performance art piece being mentioned in Sex and the City. I had heard about her show at MOMA in 2010 but mostly remember hearing about the naked people in a doorway one needed to squeeze through to see the exhibit. Hearing her speak about her sometimes controversial work was fascinating and I found some of her pieces incredibly interesting (especially her work with her partner / lover Ulay). I must admit, I am particularly susceptible to hero worship and I think this film fed into the idea of Abramovic as a sort of performance art goddess. That being said, once they get to the footage from the MOMA show where Abramovic sat in a new piece where any museum visitor could sit in a seat across from her and look into her eyes, I found myself unexpectedly moved. I loved watching the footage of museumgoers sitting across from the artist and looking into her eyes; I loved their varied reactions of laughter, tears and enigmatic faces (also the moment when Ulay comes and sits in the seat across from her, I totally cried).
I need a colorful checked sweater dress! |
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